Gender And Female Characters Of A City Poses Opportunities...

The interaction of men and women in a city poses opportunities and limitations. The ideas about gender and how female and male characters are depicted in a story, together with gender behaviour, that have shifted over the years in different cities, positions and literary work. The Dubliners (1914) by James Joyce (1882-1941) demonstrate individuals trying to contest or escape paralysis in Dublin. A contrast from Langston Hughes (1902-1967) with Pushcart Man , and Jack Kerouac with the The Town and the city in the city of New York. Their work is central to demonstrate the sense of the mix of cultures, perceptions of segregation, and the restriction and possibility of the city. This essay will discuss the ways in which relations between the sexes are depicted in the set texts, and consider the literary techniques the writer used to create a particular portrayal. Dubliners (1914), by James Joyce (1882-1941) is a collection of short stories representing his home city at the start of the 20th century. Joyce s work ‘was written between 1904 and 1907 (Haslam and Hooper, 2012, p. 13). The novel consists of fifteen stories; each one unfolds lives of the different lower middle-strata. Joyce wanted to convey something definite about Dublin and Irish society. Joyce s novel demonstrates a city and a society full of contradictions, parochial ideas, and paralysis. The Dublin inhabitants are divided by the river Liffey, into North and South , rich and poor classesShow MoreRelatedFilm, Paris, Burning, By Jennie Livingston, Director Of The 1990 Documentary Film2760 Words   |  12 Pages1990 documentary film, Paris is Burning, challenges the public to revisit their judgments on race, gender, and sexuality as she provocatively attempts to unravel the dynamic world of â€Å"ball culture† in New York City â€Å"and the African-American, Latino, gay, and transgender communities involved in it† (Livingston). It was Livingston’s investigation that affirmed the link I was uncovering between the gender performance popularly described as drag and spirit possession. 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